Pamela Sztybel, a Connecticut-based artist, has evolved into a powerful commentator through her art. Her journey began during the COVID-19 pandemic, where she found herself stuck at home, unable to access her studio. This led her to create the COVID Diary, a series of daily news-inspired cartoon-style sketches that chronicled the times. Each sketch was time-stamped, photographed, and posted on Instagram and Facebook.
Sztybel's work is characterized by its edgy humor, caricature, and commentary. She started with small, detailed drawings, but quickly found her edge, often depicting hard truths laced with humor. Her work on the COVID-19 pandemic was particularly impactful, as she documented the situation in a way that no one else was, providing a more palatable and understandable perspective for people around the world.
The marriage of art and politics has a long history, dating back to 18th-century Italy. Caricature, in particular, emerged during the 19th century in France, coinciding with the French Revolution. Artists during this time mocked the weakness and pomp of officials, and this tradition continues today. Sztybel's work is a testament to this tradition, as she uses her art to critique political figures and events.
When Russia invaded Ukraine, Sztybel picked up her drawing tools and notebooks again, this time with a personal connection to the conflict. Her grandmother, who was born in Kyiv, had to leave her home twice during her lifetime, and her family never saw her again. This experience motivated Sztybel to create the Ukraine Sketchbook, which depicted the truths of the war and the ordinary people who were stepping up in extraordinary ways.
Sztybel's work has also taken a lighter turn, with animal news drawings and large and small floral paintings. However, she has continued to critique political figures and events, particularly those involving President Trump. Her work has been described as a full circle back to her own family that escaped the Nazis, and she believes that satire and comedy are essential forms of protest.
Despite her political criticism, Sztybel is not afraid to push boundaries. She has depicted swastikas and Klan outfits in her work, and she believes that it is important to never look away from political issues. Her art is a superpower, and she uses it to make a difference, even if it's just a little bit.
